{"id":5367,"date":"2011-01-26T10:38:49","date_gmt":"2011-01-26T10:38:49","guid":{"rendered":"http:\/\/scienceblogs.com\/principles\/2011\/01\/26\/the-past-is-another-country-an\/"},"modified":"2011-01-26T10:38:49","modified_gmt":"2011-01-26T10:38:49","slug":"the-past-is-another-country-an","status":"publish","type":"post","link":"http:\/\/chadorzel.com\/principles\/2011\/01\/26\/the-past-is-another-country-an\/","title":{"rendered":"The Past Is Another Country, and Vice Versa"},"content":{"rendered":"<p>I&#8217;m about halfway through Jo Walton&#8217;s <a href=\"http:\/\/www.amazon.com\/Among-Others-Jo-Walton\/dp\/076532153X\"><cite>Among Others<\/cite><\/a>, a fantasy novel set in Britain in 1979, featuring an unhappy teenage girl who finds relief in reading science fiction and fantasy, and becoming involved with SF fandom. It&#8217;s getting rave reviews from a lot of the usual sources, and the concept sounded interesting, so I grabbed it right after it came out.<\/p>\n<p>It&#8217;s an easy read in a lot of ways, but also an odd one. In particular, I keep having trouble remembering <em>when<\/em> it&#8217;s set. Despite the frequent reminders that it&#8217;s set in an era I lived through (it&#8217;s written as a diary, and every entry includes the full date), it feels like it&#8217;s set about a generation earlier. Some of this is just the idiosyncracies of this particular book, but I&#8217;ve hit this effect before with British books of that time. A big part of the effect is the way the characters interact with technology. Or, rather, the way they don&#8217;t.<\/p>\n<p><!--more--><\/p>\n<p>It&#8217;s striking to me that, halfway through the book, there have been numerous communications between the narrator and her distant family, and they have been entirely in the form of letters. I think there are a couple of mentions of secondary characters using telephones offstage, but I don&#8217;t believe the main character has used a phone. And nobody in the book appears to watch or even own a television.<\/p>\n<p>The other books where I&#8217;ve gotten this most strongly are Susan Cooper&#8217;s <a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Dark_Is_Rising_Sequence\"><cite>The Dark Is Rising<\/cite> series<\/a>, which have the same odd telephobia. When I originally read them as a kid, I just assumed they were set in the 1950&#8217;s or so, because that&#8217;s the vibe I got. It wasn&#8217;t until re-reading them that I realized they were supposed to be contemporary with their publication in the early 1970&#8217;s, but it&#8217;s hard to remember that when reading them. In fact, it was a reference to these books that made me recognize the odd vibe I&#8217;d been getting from <cite>Among Others<\/cite>.<\/p>\n<p>I remember having this reaction to some other British books set in the 1970&#8217;s or 80&#8217;s, as well, and thinking of that the last time I re-read the Cooper novels, but of course I can&#8217;t think of the names now. It also sort of fits with the British tv I used to intermittently see&#8211; <cite>Doctor Who<\/cite> of the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Fourth_Doctor\">Tom Baker era<\/a> is, I think, supposed to be contemporaneous with its filming in the late 70&#8217;s, but it always felt more like a product of the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Batman_(TV_series)\">Adam West <cite>Batman<\/cite><\/a> era. This was partly a matter of the laughably bad special effects, but everything just seemed clunkier and more low-tech than the stuff I saw on domestic tv. And of course, it makes perfect sense that the Doctor would disguise his time machine as a phone booth, because nobody in the UK seems to use the damn things.<\/p>\n<p>I&#8217;m not speaking from a childhood spent on the bleeding edge of technology and culture, either&#8211; I grew up in a small town out in the sticks. I&#8217;m fairly consistently surprised when I look up the dates of pop albums and other pop-culture trends, because most of them came out a good six months before the era I associate with them, because that&#8217;s how long it took for stuff to make it out our way. My cousins from Long Island always regarded us as hopeless rubes, I think, because whatever trend was au courant in Broome County was ancient history in Nassau County.<\/p>\n<p>It&#8217;s a particularly odd feeling, though, for a book that is so rooted in culture to feel so unmoored in time. I suspect this would not be a problem if I were ten years older&#8211; while I was alive during the era in question, I was roughly half the age of the narrator, and thus not quite ready to be reading John Brunner and Roger Zelazny. Were I older, I could probably anchor the narrative a little more securely through the books that she mentions eagerly waiting for, but as it was several years later before I read any of that stuff, they&#8217;re all in the vague &#8220;published sometime before 1983&#8221; category. To the extent that I associate any of them with a particular time period, they&#8217;re linked to whenever I finally read them&#8211;high school or college, mostly.<\/p>\n<p>Of course, there&#8217;s also the pop-cultural elephant absent from the room, namely <cite>Star Wars<\/cite>. It&#8217;s a book about SF fans in 1979, and it takes more than 100 pages before anyone mentions it at all, then it&#8217;s raised and dismissed in about three paragraphs, which seems completely bizarre to me. It was a good two decades before I would encounter organized SF fandom, but what consciousness I had of the genre was completely dominated by <cite>Star Wars<\/cite>&#8212; the movies, toys, trading cards, etc. I&#8217;m fairly certain I saw the <a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Star_Wars_Holiday_Special\">infamous holiday special<\/a> when it aired, for example, and while it didn&#8217;t come out for about six months after the book is set, the first clear memory I have of detailed conversations about science fiction involve passionate debates about whether Darth Vader could really have been Luke&#8217;s father, in the summer of 1980.<\/p>\n<p>(That&#8217;s largely a Jo thing, rather than a British thing, I suspect. She&#8217;s never seemed to be a big fan of movies. And she&#8217;d probably be utterly horrified to hear that my other big SF media associations circa 1980 involve Rankin-Bass animated versions of Tolkien.)<\/p>\n<p>This isn&#8217;t meant as an attempt to run down the poor benighted British with their low technology and lack of media, though I fear it probably comes off that way (which would be a reversal of the usual situation&#8211; Jo has a way of making comments about the US from a UK perspective that really gets my back up, for reasons I can&#8217;t quite articulate). It&#8217;s just something that was bugging me for a few nights of reading, and once I figured out what was going on, it wouldn&#8217;t go away until I typed this out. So I&#8217;m just throwing it out there, make of it what you will. This also isn&#8217;t intended as a complete review of the book&#8211; I&#8217;ll have more to say about it after I finish it, I suspect.<\/p>\n<p>(I should note that, sometime in the 90&#8217;s, the British-stuff-seems-old effect went away.  I&#8217;m not sure exactly when, but more contemporary things don&#8217;t have the same problem. I&#8217;m not sure if this is a cell phone thing, or a matter of reading more adult books (books aimed at kids often seem to belong more to the era of the author&#8217;s childhood than their publication date, which makes them inherently dated), but that&#8217;s probably a topic for another time.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m about halfway through Jo Walton&#8217;s Among Others, a fantasy novel set in Britain in 1979, featuring an unhappy teenage girl who finds relief in reading science fiction and fantasy, and becoming involved with SF fandom. It&#8217;s getting rave reviews from a lot of the usual sources, and the concept sounded interesting, so I grabbed&hellip; <a class=\"more-link\" href=\"http:\/\/chadorzel.com\/principles\/2011\/01\/26\/the-past-is-another-country-an\/\">Continue reading <span class=\"screen-reader-text\">The Past Is Another Country, and Vice Versa<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"1","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,139,37,38],"tags":[],"class_list":["post-5367","post","type-post","status-publish","format-standard","hentry","category-books","category-culture","category-pop_culture","category-television","entry"],"_links":{"self":[{"href":"http:\/\/chadorzel.com\/principles\/wp-json\/wp\/v2\/posts\/5367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/chadorzel.com\/principles\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/chadorzel.com\/principles\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/chadorzel.com\/principles\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/chadorzel.com\/principles\/wp-json\/wp\/v2\/comments?post=5367"}],"version-history":[{"count":0,"href":"http:\/\/chadorzel.com\/principles\/wp-json\/wp\/v2\/posts\/5367\/revisions"}],"wp:attachment":[{"href":"http:\/\/chadorzel.com\/principles\/wp-json\/wp\/v2\/media?parent=5367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/chadorzel.com\/principles\/wp-json\/wp\/v2\/categories?post=5367"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/chadorzel.com\/principles\/wp-json\/wp\/v2\/tags?post=5367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}